Arpeggiated euphoria meets distorted dystopia in a next-level mutation of trance & techno. Experienced on the pulsating dancefloors of Berghain or from a live-streamed festival event, this collection combines the best of '90s digital synthesisers with the hypnotic drive of contemporary electronic beats.
Inspired by the genre-bending sounds of Schacke, Barker and Vladimir Dubyshkin, no stone has been left unturned in creating this massive sample pack that covers every facet of an emerging sound.
Drum Loops > Epic techno beats and swash-buckling trance rhythms. Served at 140 BPM with all constituent stems.
Synth Loops > The ephemeral beauty of classic trance synth leads combining raw hoovers with glistening plucks. Key/tempo labelled at 140 BPM and served with MIDI where possible.
Arp Loops > Immersive, euphoric and transcendent - the genre staple sound that has graced the canon of many trance classics since the dawn of time. Key/tempo labelled at 140 BPM and served with MIDI where possible.
FX Hits > An arsenal of spine-tingling risers, powerful impacts and synthesised hits.
Sub Loops > No trance & techno hit is complete without a dose of deep sub-bass. Undulating low-end loops in all shapes and sizes.
Drum Hits > Sizzling hot drum hits for contemporary techno kit-building.
Texture Loops > Morphing wavetable textures and immersive sound-beds which transport you to another dimension.
Pad Loops > The euphoria-inducing back-bone of trance, all manner of trance pads served at 140 BPM with MIDI provided where possible.
Percussion Loops > Shuffling modular sounds and classic percussive breaks painstakingly programmed for impact.
Stab Hits > We’ve aimed for maximum roughness and punch in these dystopian one-shots, key-labelled for both mono and polyphonic versions.
Bass Loops > Raw oscillator sequences, deep monophonic riffs and rough digital baselines, key/tempo labelled at 140 BPM.
Top Loops > Crispy & driving techno and trance top loops.
Ride Loops > Classic machine rides and cymbals designed to accentuate 4/4 rhythms.
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